Thursday 19 January 2012

Info i found interesting


In any drama, the main conflict is the struggle between protagonist and
antagonist—again, whether the antagonist is another character, a man-made
disaster, a force of nature, or simply an aspect of the protagonist’s own character.
The more there is at stake, the more dramatic—in every sense of the word—
the conflict.  Page 48

In any drama, the main conflict is the struggle between protagonist and
antagonist—again, whether the antagonist is another character, a man-made
disaster, a force of nature, or simply an aspect of the protagonist’s own character.
The more there is at stake, the more dramatic—in every sense of the word—
the conflict.  Page 48 

Cooper P, Dancyger, K., 2005. Writing the Short Film. Third Edition. Elsevier Focal Press


Wednesday 18 January 2012

A useful guideline to help guide your character's and script

FINDING A STRUCTURE (I):
EIGHT PRELIMINARY QUESTIONS
1. Who is the protagonist?
2. What is the protagonist’s situation at the beginning of the script?
3. Who or what is the antagonist?
4. What event or occasion serves as catalyst?
5. What is the protagonist’s dramatic action?
6. What is the antagonist’s dramatic action?
7. How is the protagonist’s action resolved?
8. Do you have any images or ideas, however unformed, as to the
climax? The ending?
Page 51
writing the short film third edition.